[2]This author knows of no literary hypertexts explicitly based on sets as a substructuring method. The complete absence of set-based literary hypertext is both striking and hard to explain (though set-based substructuring is not usually present as an off-the-shelf abstraction in commercially available hypertext software.)
[3]Trellis ([34], [11]) provides a formal basis for dealing with such questions. For a Trellis hypertext one may describe an acteme as any form of hypertext activity which causes the Petri net to fire. If within-component scroll-bars are devices maintained entirely by a client which does not fire the net when they are operated, they would not be considered actemes.
[4]Figure 1 as drawn implies that the lexia is "atomic" with respect to episodes -- i.e. a lexia is either entirely in or entirely out of an episode. Of course an episode may include only part of a lexia; there is no guarantee the reader will read the whole thing.
[5]Zellweger [37] discusses implementation of a similar concept, though her paths are constructed by the author rather than the reader.
[6]At the Spatial Metaphors Workshop at ECHT'94, Mark Bernstein raised the question of how the user of a hypertext might be able to estimate the cost of following a link. Should actemes be coded so that the reader can estimate the cost of activating them?
[7]In [10] Douglas refers to such maps as "cognitive maps". To call the "actual" map of the node-link structure a "cognitive" map is a serious confusion. The map may be structural more than it is cognitive. One might in some cases call a reader's map in the context of an overt gathering interface cognitive; whether the writer's structure map is cognitive or not depends on the circumstances.
[8]This section is heavily indebted to Douglas's paper. While it should not be taken as simply a restatement of her work, most of the ideas in this section were the direct result of reading her very stimulating discussion.