. . . . . . . . . . . . . .
. .
. . . . . . . . . . . . . . .
. . . .
. . formal refusal . .
. . to avoid . .
. . being children . .
. . | . .
. . # . .
. . | . .
. . | . .
. . +-+ . .
. . | | . .
. . | . .
. . | . .
. . # . .
. . | . .
. . . . . . . . . . . . . . + . . . . . . . . . . . . . .
. . . . . .
. . . treating character forced . . .
. . . embarrassment -#----\ /----#- to absolute . . .
. . . as a proper | flashes of novelty . . .
. . . musical time | . . .
. . . | . . .
. . . # . . .
. . . | . . .
. . . informality vision . . .
. . . is thin film . . .
. . . over grimly . . .
. . . fearful ocean . . .
. . . . . .
. . . . . . . . . . . . . . . . . . . . . .
. . . .
. . . . . . . . . . . . . . + . . . . . .
. | .
. # .
. | .
. | .
. sound | .
. of fatality drained / .
. is too soft -#-----+-------------- .
. to remove | \ .
. # | .
. | | .
. | | .
. violence | | .
. of the stringent -#------\ /-------+ | .
. external guess | | .
. | | .
. | | .
. +-----------------------+ | .
. | | .
. | # .
. | | .
. | . . . . . . . . . . . . . . . . . + . . . . . . .
. | . . .
. | . drown ecstatic voice . .
. | . under calendar . .
. | . freezing slowly . .
. | . | . .
. | . # . .
. | . | . .
. | . | . .
. | . slept phase | the perfectly hoped . .
. | . explaining -#----/ \----#- self incompatible . .
. | . for elusive temperature | double image . .
. | . of remote shot words | . .
. | . | . .
. | . . . . . . . . . . . . . . . . . . . + . . . . . . . . . . .
. | | .
. | | .
. | +--------\ /------#-+
. +---------------+ | .
. | | .
. # | .
. | | .
. . . . . . . . . + . . . . . . . . | .
. . . | .
. . carry . | .
. . their detachment colors . | .
. . everywhere . |.
. . | . +
. . # . .|
. . | . . |
. . | . . |
. . \ chamber of experience . . |
. . --------#- called . . |
. . / the animal decay . . |
. . . . |
. . . . . . . . . . . . . . . . . . . |
. . |
. . . . . . . . . . . . . . . . . . . . . . |
#
|
loose wish
framed
with extra
dead years
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